It’s one of those shows everybody watched but few
call a big hit. It’s not as iconic or easy to merchandise as The Simpsons, South Park or even the show that (sadly) replaced it, Family Guy. It didn’t have the same mass
appeal as its creator Mike Judge’s previous hit, Beavis and Butthead. Some might say it may as well have been
live-action. But in many ways, King of
the Hill is the best of the bunch.
Traditional right-wing American values are under
fire just now, especially if you spend a lot of time on the Internet. Many
observers, including centrists like me, are concerned by the growing
authoritarianism, bullying tactics and outright cruelty on display from the far
left, who at some point have to realise they’re not the good guys when they
behave just like those they detest. I can’t imagine how that kind of person
would perceive King of the Hill. But
the whole point of the show is that it’s not a celebration of conservative
small-town America. It’s an affectionate lampooning of it. It portrays a traditional
Texan community full of xenophobes, homophobes and extremely fragile
masculinity, but rather than eviscerating them, it gently exposes the follies
and foibles of ignorance while accepting that these kind of people can also be
likeable, good-hearted and ready to learn. In a world of safe spaces, echo
chambers and thought policing, a show like King
of the Hill would be extremely healthy viewing, poking fun at the right and
left of the American political spectrum without viciousness.
I watched King
of the Hill as a child and teenager, but didn’t really get it. I wasn’t
familiar with the American small-town mentality, conservative values or particularly
Texan idiosyncrasies. A lot went over my head, like that Dale was a conspiracy
theorist wholly unaware that he’s being very obviously cuckolded and is raising
another man’s son – which should resonate with the so-called ‘alt-right’ just
now, with their obsession with ‘cucks’ and tin-foil-hat theories.
Rewatching the show now, I’m thoroughly enjoying it.
The first season was a short 13 episodes, but it’s quite astonishing how
quickly the show not only introduces its core cast, but makes every single one
of them both buffoonish and likeable. Hank Hill is such a wonderful character because
there’s far more nuance to him than Homer Simpson or Peter Griffin. He’s big
and tough but deeply insecure because of his overbearing father. He’s lost in a
modern world and terrified of liberal values as well as comically prudish. But
he loves his family, wants to help others and wants to protect a way of life he
adores. Yet he is constantly challenged, looks like an idiot at first (‘So are
you Chinese or Japanese?’) but later actually learns and develops. Peggy is
hilarious, sometimes a voice of reason and sometimes dangerously competitive or
self-centred with a wonderfully gung-ho attitude to Spanish. Bobby pre-empts
the popular character type later seen in the youngest boys of Malcolm in the Middle and The Middle but manages to always seem
reasonable in his bizarre behaviour. Luanne is more than token overemotional trailer
trash, and has some of the season’s best one-liners, with Brittany Murphy’s
subsequent stardom an amusing footnote.
Hank’s friends Dale and Bill are classic loser
characters, yet each gets moments to shine to lift them from being one-note
joke characters. Boomhauer is more one-note but he’s so funny I don’t mind, and
mysteriously he also gets the additional character quality of being a
womaniser. The Laotian family next door are in many ways stereotypes but are
actually very nuanced, fiery characters, each with a lot of distinct personality.
The humour largely comes from small-town characters
having to deal with a developing modern world and confronting their prejudices,
usually highlighting the arbitrary nature of some signifiers of what is
masculine or what is American. It’s a healthy examination of a section of
society that is as gentle and subtle as it is cutting. King of the Hill is smart and insightful, and right now, it’s more
fun to watch its early seasons than The
Simpsons past its glory days.
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