I ended my review of the first
season of Korra on a disappointed but optimistic note. I wasn’t very
impressed by the new setting or characters, or the X-men-derived
powered-citizens-vs-non-powered-citizens plotline. But none of my problems with
the season, I said, meant that s2 couldn’t be much better.
And, indeed, that’s exactly
what happened. I liked the second season of Korra far more than the first. The
scope was far greater, the cast got a lot more to do and the new characters
were much more interesting. Instead of having the insular, urban theme of the
first episodes, we had a conflict that may have started and ended in Republic
City
Rather than a dull, far over-prolonged subplot
about a sports tournament, the other members of the new Team Avatar get
interesting and highly individualised things to do – Asami has to revive her
company with the help of the hyperactive, charismatic but devious Varrick, who
is an utterly brilliant new character; Mako gets away from the whole
sports-and-romance thing to be a serious investigating officer, a far better
role for him; and Bolin becomes a star in the ‘movers’, an affectionate parody
of badly-made early films, providing some genuinely very funny moments.
There’s great development for
the rest of the cast as well. Tenzin’s brother Bumi (with the luck of the
devil) and sister Kya (a stern waterbender played by Cuddy from House)
force him to confront his issues about living up to Aang’s legacy, as well as accepting
the fact that his father wasn’t as perfect as he remembers. His adorable eldest
daughter Jinora also has a much-inflated role, going from sweet but rather dull
eldest child to member of the family with the strongest spiritual power and
absolutely crucial to the final confrontations. If the characters were lacking
in development in the first season, they get a whole lot more now, and all are
very much likeable.
The main plot of the season
involves the long-standing tensions between the Northern and Southern Water
Tribes. Korra isn’t an ordinary low-born girl, but actually the daughter of the
rightful chief of the Northern Water Tribe, Tonraq. However, he lives as de
facto leader of the Southern Water Tribe because he was exiled in disgrace
after a disastrous episode involving upsetting forest spirits, with his younger
brother Unalaq instead assuming leadership of the Northern Tribe – and as a
result, the overall leader of the two tribes.
Struggling to understand the
spiritual lessons Tenzin is giving her, Korra eventually ends up instead being
impressed by Unalaq’s knowledge of spiritual matters and decides to study under
him instead. Of course, Unalaq is up to no good and uses her to open an
ancient, sealed portal to the Spirit World. The portal links the North and
South Poles, but more importantly contains the Tree of Time, which imprisons
the dark spirit of chaos Vaatu.
In a vision of her past lives, Korra learns of Avatar
Wan, the very first avatar. Ten thousand years earlier, Wan had been the first to
leave behind the safety of human cities, when he was exiled for not returning
the power to fire-bend to the giant lion-turtle on whose back the humans lived.
He lived amongst spirits in the ‘Spirit Wilds’ and was given the gifts of
element-bending by all the world’s different lion-turtles, but also happened
upon the struggle between the great spirits of order and chaos Raava and Vaatu.
Inadvertently helping the evil Vaatu, Wan puts his world in danger, but saves
it by working with and eventually merging with Raava, and ends up imprisoning
him in the tree of time and sealing away the entry. Korra opening the portal not
only allows access to the Tree of Time, but with ‘Harmonic Convergence’
approaching, Vaatu may be able to break free and inhabit a vessel to create a ‘dark
avatar’. You can probably tell how the rest will go, and just what epic
confrontations might form the big climactic episodes of this season. It’s not
highly original, but it is spectacular and much more satisfying than the
oddly-motivated assault from the Equalists.
Instrumental to the final
conflict, and very possibly the most important swinging element of the whole
series, are the hilarious and brilliant twins Desna and
Eska, near-identical despite being different genders and Unalaq’s children. They
are machine-like and sarcastic, but the female twin Eska decides to date Bolin
and the odd-couple relationship is priceless, especially when heartbreak is
involved. With Varrick, and if you discount the final-epsiode cameo, Bumi, this
season brings in some characters that are brilliantly capable of being hilarious
most of the time but also formidable when need be.
It’s little details that make Book
2 so enjoyable. The backstory and how it feeds into the main storyline. The
little dragonfly-bunny spirits and the very Ghibli-like world Wan inhabits. The
moment at the final episode where Mako, Bolin, Kya and Tenzin represent the
four elements. The return of Wan Shi Tong the librarian owl and the fate of
General Zhao. Uncle Iroh! Perhaps things are a bit too convenient at the end
and the idea of ‘balance’ is…well, pretty one-sided, but it all works
satisfactorily. 
What would I like to see in
Book 3? Well, more about Toph’s legacy perhaps, and maybe more of Dante Basco’s
newer role, Iroh. More from Studio Pierrot, as it was fun to see them animating
half of this season. But if I’m totally honest, what I’d really like to see
would be … well, for the comics being drawn by GuriHiru for the original universe
to be animated.
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