Shows often hit their stride around season 3,
and I’d say the same applies to King ofthe Hill, though it was extraordinarily well-shaped from the very first
episodes. While a syndicated show, King
of the Hill actually does interesting things with its continuity – Luanne
in particular has a lot of interesting moments of development, with her
boyfriend dying in the cliffhanger from the previous season and a subsequent
period of soul-searching as her hair grows back. The season also introduces the
potential for Hank to get a step-brother even in his middle age, the birth
being part of the finale here.
Largely, though, where King of the Hill succeeds is in its complexity and dark undertones.
Hank’s father Cotton is pretty central to this, being an abusive and misogynist
embodiment of all the left hates about small-town right-wing America. He is
central to several season highlights, including a moment of lightness when he
takes the fall for Bobby in an embarrassing predicament and one good moment for
Hank where he finally stands up to him to defend his mother – and his mower.
The way others act around Cotton is often very funny, but for a comedy show
there’s a lot that’s chilling and unpleasant about what he embodies.
This is a show with a fantastic ensemble
cast, though. All Hank’s friends and family have their brilliant moments. The
main gang are consistently amusing, Luanne has the show’s best one-liners,
Peggy is by turns an unstoppable force of nature and incredibly naïve,
especially when it comes to matters of adultery (her realisation of it making
for one of the highlights of the show so far) and the way Bobby mystifies his
family is by turns funny and affectionate.
Not every episode is a hit. Bill losing it
and starting to impersonate his ex-wife is too far for what was previously a
subtle character quirk. The dolphin episode stretches credulity and Hank’s
character too far. The Rashomon episode (which I just noted was a family trope
in my thoughts on My Little Pony:Friendship is Magic season 6) was a little slow and exaggerated.
But these were certainly the minority, and
the vast majority of the episodes were very funny and often quite touching.
It’s the episodes that are centred on small problems dealing with the modern
world that shine, like Peggy playing in a softball team or the problems with
taking Bobby hunting. I also liked episodes centred on Kahn, who is a
remarkably subtle and multifaceted character for what would in many ways have
been a token outsider role. Probably the best element on the show’s more
complex side is Peggy’s deep-seated sadness about not being able to have
another child. It becomes less and less subtle but was at its best with her
reactions to Hank trying to get his dog to breed.
The show is certainly strong at this stage,
and a pleasure to watch. But will it continue that way? I’m not sure just now,
but I’m happy to keep watching.
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