Today at the Ghibli
Museum , the screening was of
Yadosagashi, Miyazaki ’s 2006 short
with all sound effects provided by the human voice. Waiting eagerly in the
queue clutching our little reproduction-cel tickets, I tried to read the
summary – happy-go-lucky girl Fuki sets out to find a new family home, with her
big rucksack full of apples. Before I could give in and admit how few of those
kanji I could actually read, though, the doors opened and in we went.
Yadosagashi is a pretty
perfect film for the setting – light and fluffy, but clever and highly
charming. Made, presumably, during the Ponyo production period, it
reflects the same whimsicality and is drawn in a simple, unshaded, rather loose
style that reminds me of Panda Kopanda. Miyazaki
is still capable of making films like a newcomer, and that is an uncanny
talent.
Fuki sets out away from the angry
roars of the roadside to return to nature. It is lucky she has her apples,
because whenever she comes across something a little scary, she offers it an
apple, which tends to placate it, or at least distract it. Eventually, the rain
starts to fall and she takes shelter in a little hut, at first disturbing the
vast numbers of creepy-crawlies living there, but then later befriending them. Yes,
this film does the great service of making cockroaches and centipedes adorable!
Fuki’s parting gift of an apple to the forest spirit ensures her a safe journey
onwards, back towards the man-made.
The visuals are very light and
almost slapdash, but that gives a whimsical charm to proceedings. The sound is
perhaps the real focus. Instead of realistic sound effects, everything is done
with the human voice imitating the real world or speaking onomatopoeias. Yes,
Akagi fans rejoice – even ‘Zawa’ makes it in. This can be a little goofy, but
that’s okay, because it all comes over as charming and a little silly, which is
just what is intended. It has also been noted as perfect for an international
audience, because there is almost no dialogue and most of what is actually spoken
is a little garbled. The story is perfectly intelligible and the only tiny
point my friends could have missed was the forest spirit asking Fuki to come
visit again some time.
Light, gentle and quite
lovely, but not without some excellent humour, it was brilliant and has given
me a thirst for more – but I’ll have to wait until my next visit to the museum
for anything else, I suppose! Who knows how many years hence? I must resist
camrips…the experience of sitting in that theatre was too wonderful to settle
for a shaky version of Mei and the Kittenbus or the one about the little
egg someone has sneakily filmed – not to mention against the artist’s
intentions. But it’s hard!
Also showing in the lovely downstairs
exhibition room, alongside a breathtaking wheel of models that a strobe light
made to seem like was coming to life, was former museum animation Film
Guru-Guru, which was a simple but lovely short about two creatures rapidly
evolving in competition with each other – the highlight of course being dinosaurs
– until one became a bird and the other a mammal, the latter eventually
becoming human and going to find where the other had flown off to, only to find
a girl for a little kiss. Sweet, simple, playful and perfectly-executed, I
would love to see it on the big screen.
I’m sure the rest of the
animations will eventually come out for home consumption. Very few
Ghibli fans can afford to go to the museum enough times to see all the films.
But for now, this will have to do!
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