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Tuesday, 13 April 2010

ちっちゃな雪使いシュガー / Chiccha-na Yuki tsukai Shugā / Little Snow Fairy Sugar

It’s undisputable. Even with such incredibly cute series as Bottle Fairy and PitaTen as competition, Little Snow Fairy Sugar takes the crown as sweetest anime show I’ve ever seen.

Saga is a girl with a painful past. She’s lived with her Grandmother since her mother’s death, and learned to cope with her loss in two ways: by playing her mother’s piano, which the music shop has for sale but which is out of the means of just about anyone in her small European town, and by making sure her life is run on a tight schedule, with no time to sit and dwell on the past. One day, she finds a tiny fairy girl unconscious in the road. Saga revives this little curiosity by feeding her a waffle, only to discover that the diminutive girl has a very, very big personality.

Sugar is an extremely energetic, childlike snow fairy. She is only little, and in training in the human world to become a fully-fledged snow fairy by finding ‘twinkles’, though she and the other trainees don’t know exactly what these ‘twinkles’ are. She is delighted that Saga can see her, since fairies are invisible to most humans, and liked the waffle so much that ‘waffo!’ becomes her general exclamation of delight (since it sounds a lot like ‘wahoo’ in Japanese pronunciation – VERY cute!). Saga, however, is not so thrilled. Her schedules are thrown into disarray, Sugar’s boundless energy grates on her, and she gets into embarrassing situations because she’s the only one who can see the fairy. However, before long, she begins to feel more affectionate and even motherly towards the little fairy and her two best friends, the quiet and feminine Pepper and the typically boisterous boy Salt.

Yes, all the fairies are named after condiments and herbs. There are also the mischievous duo Basil and Cinnamon, plus senior fairies Ginger and Turmeric (which actually makes a very nice name!).

The series revolves around the fairies attempting to find out what a twinkle is, and the ups and downs of Saga and Sugar’s relationship. Everything is very sweet, alternately being fluffy and adorable and pulling gently at the heartstrings.

It must be said that there is nothing very original here. The characters are all right out of anime stock, and the various storylines are oft-rehashed cutesy fare. The most obvious comparison is PitaTen, where very similar characters appear, a human and a non-human bond, and the drama comes when the non-humans must return to their own worlds – and that’s not even mentioning the fact that Koge-Donbo was behind the character designs of both series (but as far as I know had no input in the actual story of Sugar). However, stock characters and typical storylines become overused because they work, and startling originality isn’t the name of the game here. It’s about taking a familiar story and doing it damn well. And that’s what we have here.

Like several other of my favourite anime, the show works well by taking hackneyed ideas and then developing them extremely well. This can be in little touches, as when the focus moves briefly to Salt, who begins to have doubts about whether he really does want to be a sun fairy, or in the bigger storylines, such as when Sugar and Saga fall out because Sugar tried to write a sorry note to Saga and used her mother’s musical score as paper. The charm is in the details: the little hints of deeper emotions than the ones on the surface, the genuine emotions.

It is also a beautiful show to watch. The characters are, as expected from Koge-Donbo, incredibly cute, and, when it comes to the fairies, their clothes are imaginative and witty, tied in with their fairy jobs. Special mention must be made of the town and general culture, which is broadly north-central European in that typical anime way, but wonderfully realised, giving a fairy-tale sense to the aesthetic even with such typical anime character designs.

Little Snow Fairy Sugar thrives on using tried-and-tested anime themes, but doing them very well, with each episode packed with more cuteness than an entire forest full of early Disney animals – and rather less creepy, too.

(originally written 29.11.05)

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